中国高校“十二五”数字艺术精品课程规划教材:分镜头脚本设计教程.pdf

中国高校“十二五”数字艺术精品课程规划教材:分镜头脚本设计教程.pdf
 

书籍描述

内容简介
本书的内容具有实用性和可读性,通过图片和经典电影、动画影视作品的镜头例子加以说明,深入浅出,不仅可以当作是分镜画师的一种指导性工具,而且也可以帮助一般的动画工作者运用影响来表达剧本中的内容。在具体章节中,读者还可以找到许多叙事和视觉问题的解决方案,它如同辅佐分镜初学者学习的拐杖,可帮助初学者快速走向成熟。

编辑推荐
分镜头脚本设计经常是各电影相关专业院校和从业人员的能力短板,因为分镜设计问题导致的产品质量低下的例子比比皆是,已经成为制约中国动画质量提升的瓶颈。笔者从业动画行业三十年,集动画创作实践与动画教学经验与一身,现将所有经验传授与大家。

作者简介
李杰,1989年从业动画,先后在翡翠动(香港)画公司,太平洋动画公司(美国),宏广动画(台湾)公司工作,历任动画设计师,动画导演。2001年受聘于中国传媒大学动画学院教授动画专业,2011年任暨南大学艺术学院新媒体艺术系主任。

目录
Chapter 01
分镜头脚本概述
● 1.1 什么是分镜头脚本 ..................................................................................................012
● 1.2 如何才能成为分镜画师 ..........................................................................................013
● 1.3 分镜头脚本的分类 ..................................................................................................014
1.3.1 动画.................................................................................................................................................................014
1.3.2 电影................................................................................................................................................................019
1.3.3 广告................................................................................................................................................................021
1.3.4 MV分镜头脚本..............................................................................................................................................022
1.3.5 电脑游戏和多媒体分镜头脚本....................................................................................................................022
1.3.6 其他领域的分镜头脚本................................................................................................................................022
● 1.4 在分镜设计之前 .....................................................................................................023
● 1.5 思考题 ....................................................................................................................026
Chapter 02
从文字到图像
● 2.1 图像化文字的意义 ..................................................................................................028
● 2.2 完备的资料 ............................................................................................................029
2.2.1 剧本................................................................................................................................................................029
2.2.2 美术设计资料................................................................................................................................................036
2.2.3 修正和补充....................................................................................................................................................039
● 2.3 画面的构图 ............................................................................................................040
2.3.1 看到的和意识到的........................................................................................................................................041
2.3.2 画面中的人景关系.........................................................................................................................................043
● 2.4 镜头风格 ................................................................................................................044
● 2.5 思考题 ....................................................................................................................048
Chapter 03
图像的叙事
● 3.1 分镜设计步骤 .........................................................................................................051
3.1.1 草图................................................................................................................................................................051
3.1.2 分段................................................................................................................................................................053
● 3.2 带领观众入戏 .........................................................................................................059
● 3.3 连续叙事 ................................................................................................................064
● 3.4 问答式镜头设置 .....................................................................................................065
● 3.5 绘画表现 ................................................................................................................073
3.5.1 俯视图(平面机位辅助)...............................................................................................................................074
3.5.2 绘画风格........................................................................................................................................................075
● 3.6 思考题 ....................................................................................................................078
Chapter 04
镜头
● 4.1 镜头的表现形式 .....................................................................................................080
● 4.2 摄影机的创作功能 ..................................................................................................083
4.2.1 仰拍镜头........................................................................................................................................................084
4.2.2 俯拍镜头........................................................................................................................................................084
4.2.3 斜拍镜头........................................................................................................................................................086
4.2.4 表现镜头........................................................................................................................................................087
● 4.3 摄影机的移动 .........................................................................................................088
4.3.1 推镜头............................................................................................................................................................088
4.3.2 拉镜头............................................................................................................................................................090
4.3.3 摇镜头............................................................................................................................................................091
4.3.4 跟镜头和跟摇镜头........................................................................................................................................092
● 4.4 思考题 ....................................................................................................................098
Chapter 05
蒙太奇
● 5.1 历史 .......................................................................................................................100
● 5.2 电影之外的蒙太奇 ..................................................................................................101
● 5.3 片段与整体 ............................................................................................................107
● 5.4 蒙太奇手法概述 ......................................................................................................111
5.4.1 蒙太奇句型....................................................................................................................................................111
5.4.2 蒙太奇段落....................................................................................................................................................112
● 5.5 蒙太奇组织方法 ....................................................................................................112
5.5.1 叙事蒙太奇....................................................................................................................................................113
5.5.2 表现蒙太奇....................................................................................................................................................113
5.5.3 蒙太奇的叙述方法........................................................................................................................................113
● 5.6 思考题 ....................................................................................................................114
Chapter 06
画面表现手段
● 6.1 省略 .......................................................................................................................116
6.1.1 内容省略.........................................................................................................................................................117
6.1.2 结构的省略....................................................................................................................................................119
6.1.3 动画中的省略.................................................................................................................................................123
● 6.2 隐喻 .......................................................................................................................124
6.2.1 造型的隐喻....................................................................................................................................................124
6.2.2 戏剧的隐喻....................................................................................................................................................124
6.2.3 思想的隐喻....................................................................................................................................................125
● 6.3 象征 .......................................................................................................................127
6.3.1 画面的象征主义构图.....................................................................................................................................127
6.3.2 画面的潜在或含蓄的内容............................................................................................................................127
● 6.4 思考题 ....................................................................................................................128
Chapter 07
镜头的顺畅连接
● 7.1 构图的延续 ............................................................................................................130
● 7.2 运动方向的延续 .....................................................................................................133
7.2.1 轴线................................................................................................................................................................134
7.2.2 越轴................................................................................................................................................................138
● 7.3 两镜间的常用连接方式 ..........................................................................................142
7.3.1 动作连接........................................................................................................................................................142
7.3.2 视线连接........................................................................................................................................................144
● 7.4 标点法 ....................................................................................................................147
● 7.5 连接范畴分类 .........................................................................................................148
7.5.1 造型领域的连接.............................................................................................................................................148
7.5.2 心理范畴的连接............................................................................................................................................149
7.5.3 声音的连接....................................................................................................................................................149
● 7.6 思考题 ....................................................................................................................150
Chapter 08
无声的语言
● 8.1 无处不在的肢体语言 ..............................................................................................152
● 8.2 上肢的动作 ............................................................................................................154
8.2.1 手指................................................................................................................................................................154
8.2.2 掩饰................................................................................................................................................................155
8.2.3 手势种类........................................................................................................................................................156
8.2.4 握手................................................................................................................................................................158
● 8.3 手臂的姿势 ............................................................................................................160
8.3.1 大拇指............................................................................................................................................................160
8.3.2 十指交叉........................................................................................................................................................162
8.3.3 搓手掌............................................................................................................................................................163
8.3.4 背手................................................................................................................................................................163
8.3.5 “金字塔”手势..............................................................................................................................................164
8.3.6 双臂交叉........................................................................................................................................................164
● 8.4 脸与手 ....................................................................................................................165
8.4.1 捂嘴巴............................................................................................................................................................165
8.4.2 触摸鼻子........................................................................................................................................................166
8.4.3 揉眼................................................................................................................................................................166
8.4.4 摸耳................................................................................................................................................................166
8.4.5 搔脖.................................................................................................................................................................167
8.4.6 抻衣领.............................................................................................................................................................167
8.4.7 咬手指............................................................................................................................................................168
8.4.8 其他手脸接触案例........................................................................................................................................168
● 8.5 下肢的姿势 ............................................................................................................170
8.5.1 双腿相搭.........................................................................................................................................................170
8.5.2 腿脚打结.........................................................................................................................................................171

● 8.6 躯干及其他 ............................................................................................................172
● 8.7 思考题 ....................................................................................................................175
Chapter 09
分镜案例剖析
● 9.1 案例分析是高效的学习方法 ...................................................................................178
9.1.1 创作背景..........................................................................................................................................................178
9.1.2 剧本及其分析..................................................................................................................................................178
9.1.3 美术风格探讨.................................................................................................................................................179
● 9.2 镜头设计攻略 .........................................................................................................181
● 9.3 好分镜是设计师综合能力的体现 ............................................................................194
● 9.4 思考题 ....................................................................................................................196
● 后记 .............................................................................................................................197

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