My Life in Middlemarch.pdf
"Rebecca Mead has written a singular and inventive tale about her favorite book, and how it has changed — and changed her — over many years of reading and re-reading. Anyone who has ever loved the characters in a novel as dearly as we love our own families will recognize the passion, the devotion, the intimacy and the joy of returning again and again to a revered classic. Both a memoir and a biography, both an homage and a homecoming, My Life in Middlemarch is a perfectly composed offering of literary love and self-observation. I adored it, and it will forever live on my bookshelf next to my own precious paperbacks of George Eliot." –Elizabeth Gilbert, author of Eat, Pray, Love and The Signature of All Things
“Rebecca Mead's My Life in Middlemarch is a wise, humane, and delightful study of what some regard as the best novel in English. Mead has discovered an original and highly personal way to make herself an inhabitant both of the book and of George Eliot's imaginary city. Though I have read and taught the book these many years I find myself desiring to go back to it after reading Rebecca Mead's work.” –Harold Bloom
"Not quite biography, not quite memoir, not quite literary criticism, My Life in Middlemarch is a wonderfully intelligent exploration of a great novel and its great author. I loved Mead's empathy, her insight and her restraint and I devoured her deliciously readable pages." –Margot Livesey, author of The Flight of Gemma Hardy
"Rebecca Mead’s marvelous book tells us everything we need to know about the greatest of all English novels. She gives us Middlemarch’s characters–their marriages, their world–and she gives us George Eliot herself, a woman whose self-doubt led her into wisdom. But that’s just the start. Mead reads with passion and care, and she allows the novel to irradiate her own life–to tell her, with each successive rereading, just who she is and how she’s changed. Indeed she suggests that Middlemarch is the book that made her grow up, and in showing us the difference it’s made to her she shows how it can make a difference in your own life too." –Michael Gorra, author of Portrait of a Novel
REBECCA MEAD is a staff writer for The New Yorker and the author of One Perfect Day: The Selling of the American Wedding. She lives in Brooklyn.
A New Yorker writer revisits the seminal book of her youth--Middlemarch-- and fashions a singular, involving story of how a passionate attachment to a great work of literature can shape our lives and help us to read our own histories.
Rebecca Mead was a young woman in an English coastal town when she first read George Eliot's Middlemarch, regarded by many as the greatest English novel. After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs, then marriage and family, Mead read and reread Middlemarch. The novel, which Virginia Woolf famously described as "one of the few English novels written for grown-up people," offered Mead something that modern life and literature did not.
In this wise and revealing work of biography, reporting, and memoir, Rebecca Mead leads us into the life that the book made for her, as well as the many lives the novel has led since it was written. Employing a structure that deftly mirrors that of the novel, My Life in Middlemarch takes the themes of Eliot's masterpiece--the complexity of love, the meaning of marriage, the foundations of morality, and the drama of aspiration and failure--and brings them into our world. Offering both a fascinating reading of Eliot's biography and an exploration of the way aspects of Mead's life uncannily echo that of Eliot herself, My Life in Middlemarch is for every ardent lover of literature who cares about why we read books, and how they read us.