Alice's Adventures in Wonderland.pdf

Alice's Adventures in Wonderland.pdf
 

书籍描述

编辑推荐
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

名人推荐
From Publishers Weekly
A clock-face grows like the daisies around it as the White Rabbit hurries by; in the opening pages of the story, Browne hints at his interpretive presence in Carroll's world. A burning key, a fish swimming through space, a green thread winding its way through a cabinetful of strange objects, and the artist makes it clear that this will be no ordinary Alice. Thimbles and umbrellas bloom atop green stalks, Willy the chimp races by, another thimble casts the shadow of a trophy, the Caterpillar wears a smoking jacket covered with butterflies. The Mad Hatter has a stack of his wares on his head, and wears a terrible grimace; the tea party at which he resides displays a table full of toylike objects and sweets, among which are many surprising juxapositions. In short, the volume is so consumed by the unexpected that readers may well find their eyes leaving the text to pore over the pictures, replete with jaunty details and stunning surreal images that grandly point back in the direction of the written word. All ages.
Copyright 1988 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From School Library Journal
Grade 3 Up Hague, in his "Afterword," gives a fine reason for tackling a book that has already been illustrated some 100 times: to "reinterpret the classics for each new generation of children." But what does Hague bring to Alice that is fresh or contemporary in insight? Only a set of crowded images that seem too often to be seen through a dirty yellow filter. There's no denying the competency of his drawing. He does his anatomy homework, and his mock-Rackham trees are properly gnarled, but they lack the brooding mystery of the master's originals. The Queen is a fresh face with a red fright wig and jutting lower lip, almost a Dom DeLuise in drag. But Alice, although a real girl, looks too old for the part at times. Individually, Hague produces attractive characters that hover quite close to the descriptions Carroll provides or Dame Nature offers. Once again the trouble comes in the organization of these characters and architectural sets; they too frequently don't seem to fit. A heavy-handed use of black outline is one reason figures are isolated in space. Sometimes it's an odd juxtaposition of colors. And why does he put human hands on some of his animals and not on others? Although these odd bits of artistic shortcomings are in evidence, they do not override an attraction to aspects of Hague's illustrations, which will have broad appeal. Yet despite his expressed hope that children "will want to read this wonderful story" because of his pictures, it is more likely that they'll want to read it because of the profound imagination of the author and his ability to spin a yarn as pertinent today as it was 100 years ago. Kenneth Marantz,u Art Education Department, Ohio State Univ . , Columbus
Copyright 2002 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Booklist
Gr. 4^-6, younger for reading aloud. There is no end to the available editions of Alice, of course, but here is one worth having. It is in a nice big format, with an exquisite typeface, easy to read and to hold in the lap. It has a genial and erudite introduction by Leonard Marcus, with a bit of biography of Carroll and some Alice publishing history, but, most of all, there are unusual, engrossing illustrations. Morell has taken the original Tenniel images, placed them in collage with realia, and photographed the resultant construction in black-and-white. The artifact of the book is used to great effect: the hole the White Rabbit descends is cut into a large book; the Tenniel caterpillar and Alice peering over the mushroom's edge poke up from the pages of a book in a swirl of smoke; the tea party table is a big old book with a checkerboard cover. This edition illuminates the familiar story in ways that point up its essential, strange "magick." GraceAnne A. DeCandido --This text refers to an out of print or unavailable edition of this title.

From the Publisher
The Broadview Literary Texts series is an effort to represent the ever-changing canon of literature in English by bringing together texts long regarded as classics with valuable, though lesser-known literature. --This text refers to an alternate Paperback edition.

媒体推荐
Four classic tales are now available in these stunning, collectible, unabridged editions featuring black-and-white artwork by noted poster illustrator Scott McKowen . Each volume includes an Afterword by Dr. Arthur Pober that encourages discussion and a deeper understanding of these classic works.

作者简介
Lewis Carroll (the pseudonym of the Rev. Charles Lutwidge Dodgson) was a mathematics lecturer at Oxford University, but he is better known to the world as the author of Alice's Adventures in Wonderland (1865) and Through the Looking-glass (1871), as well as The Hunting of the Snark (1876).

目录
Foreword
DOWN THE RABBIT-HOLE
TIlE POOL OF TEARS
A CAUCUS-RACE AND A LONG TALE
THE RABBIT SENDS IN A LITTLE BILL
ADVICE FROM A CATERPILLAR
PIG AND PEPPER
A MAD TEA-PARTY
THE QUEEN'S CROQUET-GROUND
TIlE MOCK TURTLE'S STORY
THE LOBSTER-QUADRILLE
WHO STOLE THE TARTS?
ALICE'S EVIDENCE
To all child-readers of "Alice's Adventnres in Wonderland"
Christmas- Greetings, 1867
Publisher's Note on the Full Colour Edition

文摘
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Alice's Adventures in Wonderland
Alice's Adventures in Wonderland
Alice's Adventures in Wonderland
Alice's Adventures in Wonderland
Alice's Adventures in Wonderland

编辑推荐
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

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